When Leonard Foglia was invited to direct an opera based on Herman Melville’s masterpiece about a white whale, his first reaction was: “Moby-Dick. That’s great!” “Then I ran to a used bookstore and ...
Performances in N.Y.C. Critic’s notebook A concert performance of “Vanessa” freshly argued for the vitality of a work that deserves to be staged but languishes with its midcentury peers. Dimitri ...
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