Title design has a long history that can be traced back to the early days of film and television. In the early days of cinema, films were often shown without any title cards or opening credits, and ...
In an age when Netflix’s “Skip Intro” button threatens to make a TV show’s opening credits into an endangered species, it’s more important than ever to acknowledge the work being done by the artists ...
More stories by Kevin P. With the dawn of the "Skip Credits" button, title sequences have never been easier to ignore — and that's a shame. As evidenced by this year's Emmy nominees for Best Title ...
I used to ignore them. For the minute or two that they would run, I would take a phone call, grab a bag of chips, or make a sandwich. And as the song played in the background, I would check my watch ...
You’ve done it, don’t deny it: Skipping through the title sequence of a show you’re binge-watching. We all have, even when we know we’re blithely ignoring someone’s creative work, just to save 70 ...
Pablo Ferro, who is known for his distinct title design and work in graphic design, died of complications from pneumonia Friday in Sedona, Arizona. The award-winning designer was 83. Born on January ...
Elastic could follow their Emmy win for "The Man in the High Castle" with another one for the even more ambitious main title design for "Westworld." From the galloping horse to the dancing robotic ...
When the curtain comes up on a film, the movie's opening title sequence sets the tone for the story to follow. While many title sequences are perfunctory - text on screen, maybe some scenic shots, ...
Much like book covers, it can be tempting to judge a television series by its main title design — those evocative and increasingly imagery-driven sequences designed to convey everything from the ...
While the nominees for Main Title Design at the 2016 Emmys are strikingly diverse in theme and format, there is one consensus among those Creative Directors who find their firms and sequences ...
The nominees for main title design share the burden of persuading viewers to invest in ambitious, hour-long serialized television. It’s a tricky piece of salesmanship: In roughly 60 to 90 seconds, the ...