Clare Barron’s “You Got Older” is a rare play about a good dad. Wallace Shawn’s “What We Did Before Our Moth Days” is defiantly tender about a sleazy one.
All is fair in love and war, they say, but what would you really be willing to do for the one you love? People say that love ...
The Bride! THE BRIDE! Conceptually, this seems very much like something I could get on board with: a mid-1930s Chicago-set, Mafia-tinged feminist update on the Frankenstein story, embellished with ...
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